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2011: A Year in Photos

Each year that goes by, I like to look back at the photos I’ve taken and pick out my favorites: the ones that best represented my photographic journey for the year. Each year I compile them into a blog post and share that with whomever will look, talking about what I liked about the journey.

Photography, even when it isn’t personal, is still indicative of growth, knowledge gained, and experiences. A year in photography represents a visual meandering of thought, and beyond that, of life. It is a wonderful feeling to look back and say that you were proud of something, that you created something from within that you can always call your own.

So this year I thought, why limit that amazing experience of reflection to just my own photos? Why not get everyone involved?

“A Year in Photos” is a video project that I’d like to put together featuring EVERYONE’S favorite photos from 2011. They will be representational of this AMAZING online community that I call my family and the photos that made us believe in ourselves this year.

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When Editing Confuses…

I will be the first to say that planning a shoot ahead of time will not only save an artist shooting and editing time, it will also be more likely to make the process go smoother as well. However, there are times when, despite thorough planning, an image just doesn’t come out as you envisioned. It happens to me sometimes. I only share about 50% of what I shoot because something isn’t quite right, or it just wasn’t as striking as I had hoped. I recently embarked on a new photo series where I would be using a collaging method in editing of putting one picture on top of another. The nature of this compositing wasn’t as cut and dry as it normally is for me. Instead, I had wiggle room to play with where the different elements of the photo would go, and that is a whole new ballgame.

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Contest #4: Supernatural Winners

I knew that when I chose “supernatural” as the October contest theme I’d be seeing some verrrrry interesting submissions. Indeed that was true – everything from blood and gore to levitation to ghostly imagery. It was all so much fun to look at, and I’ve chosen the winners – 1st, 2nd, and 3rd place, plus some honorable mentions that I just couldn’t leave out. All so talented, and all very much worth checking out. Each picture is a link to the artist’s work, so click through! Also below you will find the November contest theme…and as these cold months start, I hope having a theme will provide some inspiration on those wintry days.

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20 Reasons Why I Love Being an Artist

 

1. I am as good as dead without being able to find passion in life. Creating art is to constantly find passion and suspend it in time, always there to come back to, always a reminder of all that is fulfilling.

2. Sometimes I wonder if I will remember the little moments that made me cry, or the times when something was so beautiful it made me shiver. Creating art reminds me of the moments that fill me up and make me whole.

3. To be an artist is to express yourself, even the parts of yourself you never knew needed to be expressed.

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The Annenberg Space for Photography

You know how in life there are certain moments or experiences that you know will change everything, sometimes for good and sometimes not? I had one of those moments back in June when I found out about a new exhibition I was to be part of. I may sound a little bit melodramatic saying this, but I thought it best to try to genuinely express what this show means to me. I got a call from one of the curators at the Annenberg Space for Photography in Los Angeles back in June to ask if I would submit hi-res photos to be examined and considered for an upcoming show in their space. The “Annenberg” is not a gallery but rather more of a museum that changes shows every 6 months or so. It is a common tourist attraction in LA, and it is widely promoted both in California, New York, and abroad.

A screen shot taken from the Annenberg website announcing the show

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Wait…You’re How Old?

There are all sorts of stigmas associated with age. Sometimes it is a wonderful thing to be young. You have your life ahead of you, you have a more innocent view of the world, and, if you’re lucky, you have time. Being of an older age is also beneficial, especially when the topic is of profession. To be older in your given profession often means respect is demanded, experiences have been had, and you are well established in your given field. Age is a tricky subject sometimes. It is often considered rude to ask someone’s age or to dwell on that aspect of someone’s life. It would be considered rude to walk up to someone, ask their age, and then gawk at how old someone is.

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Recent Travels: Death Valley and Texas

I always considered myself someone who never got to travel that much. Being from the northeast coast of the United States, it was common to drive through lots of little states but never really see them, or to vacation in on the coast which looked quite like all the other states. It didn’t really feel like traveling. But lately I’ve had the opportunity to go places. 2011 has been a good year for that, and I am making sure that 2012 is going to be even better. This year I’ve been to England, New York, Pennsylvania, Washington & Texas to name a few places. Two weeks ago, on a complete whim, I drove with my husband and close friend to Death Valley. That has been a dream of ours for a very long time, so it was amazing to finally see it come true.

(Taken by my friend Kelly, processed by me) The amazing rolling sand dunes!

We saw the salt flats in 125 degree (F) weather, which was scary hot, and we also got to hike a canyon that was downright amazing. The blackbirds there are giant and fearless. Actually, everything seemed to have that sort of vibe to it. It was very unique.

A failed attempt at jumping on the salt flats!

The thing that we all really went for though were the sand dunes. With Dune being my favorite book series, my friend Kelly encouraged me to do a picture there. Of course I had to, there was no way I was going to Death Valley and not taking a picture. So I packed my red fabric and got to work designing a photo idea.

Checking my pictures from my red fabric sand dune shoot.

This is the end result.

Last weekend I got to travel some more by going to Austin, Texas to teach two workshops and lecture at a college. The lecture was on Friday night, and I have never felt so welcome in all my life. The one thing that set Texas apart from anywhere else I have been is the sincerity in everyone. I felt genuinely welcome, genuinely appreciated, and because of that, I could have stayed forever. I did my lecture from 7-9 Friday night after hopping off the plane to a really good sized group. Some of the students even pulled money from their pockets to provide food and drinks – it was really quite amazing. I did a 1 hr+ talk about all things photography – my way of creating worlds through images, about finding your artistic voice, about business and marketing…It was well received, which I was so grateful for, and I met tons of people afterwards!

©2011 Peter Shugart | Me with Nikki, who organized the event, and friends :)

The next day was my first workshop. The group was so wonderful! The thing that has set the Austin workshoppers apart from all others has been their laid back, enthusiastic ways. Everyone seemed at ease during the workshop, even in our ultra-creepy house, and things flowed smoothly like I always hope will happen. Day two went very similarly. The people in Texas are what give Texas the spark that makes it completely worth a visit.

Workshop group from day 1, gathered on our bed ;-)

Workshop group from day 2, gathered on the front porch.

The workshop house that I rented, which I also stayed in for 3 nights with my friend and workshop model Olivia, was by and far the creepiest place I have ever stayed. Mind you, I might create dark art, but I am afraid of all things remotely scary. There were things like pictures from the turn of the century lining the walls, a creepy statue, a Ouija board, a statue of the devil in our bedroom, etc. Pictures below! It was a really great trip from start to finish, and I’m so grateful I had the opportunity to meet so many truly wonderful people.

The picture I created at one of the workshops.

Contest #3 Winners: Weather

I have to ask where September went, it was a whirlwind kind of month, but I’m really excited for October…I love pumpkin month. During September I held a contest that anyone could submit up to three photos about the theme weather. The task is nearly impossible every time to pick winners. I struggle with choosing a 1st, 2nd and 3rd, hoping I made the right choice…but of course there is no right choice, there is only opinion. I take a lot of things into consideration: technical strength, how the images strikes me immediately, if it is memorable, mood of the image, and concept if it has a concept. Here are my choices for the winners and honorable mentions for the September “Weather” contest! I hope you enjoy, and that you find lots of talent in the group below!

1st Place: Phillip Schumacher aka SuperPipo2010 for “The Walker and the Fog”

This image struck a chord in my the first time I saw it. I didn’t want to take my eyes off of it, I wanted to come back to it over and over after I closed it. It is a haunting image in a lighthearted way. The dog makes it interesting and adds story while the expression on the face of the model (a self portrait by Phillip) is striking and adds to that story. The outfit does not take me out of that implied story but instead furthers it. The “fog” that was put into the image not only adds a foggy feeling, but also one of destruction in that it looked like a white cloud of rubble forming around the subject. It also implies someone who is lost, as fog often can, but instead of being a dreamlike image with someone in a fairy-tale inspired outfit, the tone is business and stoic. It is a different twist on an element that has been tackled countless times: fog. I think it is really innovative and I can’t stop coming back to it.

2nd Place: Katiuscia Bayslack for “A Blurred Vision”

I found this image to be haunting and striking in the simplicity of it. There is not a lot to go off of in this image as far as details go. It is not complicated in concept, but instead hard-hitting in mood. The fog is the main object of this image, making it a perfect fit for a weather theme, yet the subject holds weight too. We see just enough of her that we can see her head is hanging down at her chest. She seems lost, she seems to be in mourning, but whatever it is the viewer knows she is alone. There is an overwhelming sense of mystery and sadness hanging in the fog in this image. The monochromatic tones also add to that solitary feeling, and it has left me haunted ever since I saw it.

3rd Place: Robby Cavanaugh for “The Fleeter’s Find”

It is quite obvious at first glance that this is an incredibly well executed image. The creativity of it and the technical skill are out of this world. The movement is the first thing that immediately struck me, and if I allow my eye to follow the movement I am lead in an interesting circle from girl to dress to birds to door. There is a sense of movement in everything, and also a sense of mystery. The concept is very interesting, and the mood of the image is furthered by the implied wind and stormy sea all around. Overall a truly wonderful piece of art.

Below you will find a list of the honorable mention photos. I thought there were so many stand-out images, and below are a few that I wanted to mention. Also below you will find the theme for the October contest, with a link below to enter!

Honorable Mentions:

Thank you SO much to everyone who submitted. The entries were a complete joy to look at. I always love how many new contacts I find because of it!

It is officially OCTOBER! That means a new theme. That theme is…

 

SUPERNATURAL!!

 

It is the month of Halloween after all. Anything goes relating to the supernatural: ghosts, zombies, aliens, mystery, intrigue, death, skeletons…Think creatively and outside the box, and about what the supernatural means to you. This could be a fun chance to experiment with the camera and really do some interesting effects. But most of all, anything goes! And happy October!

Click here for the submission page + a few words about the rules/prizes.

 

“I Wish You Would…”

Whether you are the type of person who gets comments like this, leaves comments like this, or both, there is something to be learned from examining the sentence “I wish you would  ________”.  Especially in the photography world where people are sharing photos on a daily basis, that statement tends to come up a lot. It is a way of giving critique to another person’s image, and let me note right now that I am not knocking this type of critique. I think it can be very valuable if, and there is a big IF, it is done in a way that gives helpful direction to the artist.

This is a throwback to some of my earlier images, but still encompassing everything that I love about photography.

“I wish you would have used less back light on the subject so that they appeared brighter”. That would be a valuable critique because it is not only giving the opinion of the viewer but also giving a solution to a potential problem that the viewer sees in the image. Remember, if you’re sharing your images online, one has to expect critique. That is just part of the game, and it is a part that I enjoy if done respectfully. The downside to sharing online is that it invites all sorts of critique, and if you ask me, it is hard to complain about it. I bring it on myself when I upload an image. If someone wants to be negative or nasty, that is their perogative and I have opened that image up to comments of all sorts. If I only accepted praise, what kind of photographer would I be? Probably a) boring, and b) stagnant.

I have always been of the opinion that if you invite comments, you must be ready to accept critique of all kinds. I stick by that 100%, but of course have my moments of wishing everyone could be respectful. And I’m not complaining, because mostly everyone is. But then there is that sentence: “I wish you would _____”. It can go either way. There are a host of different ways to finish that sentence that would not only be unhelpful, but border on disrespectful as well. The one that I get most often is “I wish you would change it up more”. I hear it often enough, but happily not too often, that someone wants me to change my style more.

New locations please. New colors please. New models please.

Except usually there is no please attached to the phrase.

When you share images online, a lot of people take on the role of teacher where they feel that not only is it their job to give advice, but that they are 100% right about the advice they are giving. What bothers me about the statement “I wish you would…” is that, often, they are implying that their point of view is right. There is no right or wrong in image-making. I think with this overload of images online it is easy to forget that every single one of them was taken but a real, live human being who feels, thinks, and believes in what they are doing. It is easy to forget sometimes that behind the images we see online are people who are thinking about all of the decisions that go behind an image.

The difference between using that phrase in a respectful way vs. a disrespectful way lies in the question of if the viewer wants the artist to change details, or to change fundamentally. If there are certain photographic properties that the viewer thinks might have been better off changed, by all means share that. If the viewer thinks that the artist should change what they are doing altogether, by all means keep that to yourself. It probably means that whoever is viewing the picture is missing the point of the image altogether.

For someone to say to me “I wish you would change it up more”, that is giving me nothing to go on. I hear that they are bored with me and that they would like me to change, but I have to wonder why it is so important that I change who I am just to please someone else. I create the images that I love. Period. There is nothing else for me. While I appreciate critique and I do often take it to heart, nothing comes in between me and the images that I love to create. Nothing possibly could, because I create from the soul. So many of us out there are passionate photographers who create visions that live inside, and no one can take that away.

So, while you might want me to do this different or that, I have to follow my vision and do what makes me happy. Otherwise, why create at all?

Coloring Inside the Lines

“Create what you want art to be, not what you have been told art is.”

These images are some of my earliest attempts to create the art that I wanted to put out there.

It happens at a young age. Our earliest memories begin the foundation of what we think of as “art”. Our first teachers, our surroundings, our experiences; they all go in to forming our opinion of what art is. School starts and we take art classes. We learn to color inside the lines, we learn to use colors, we learn to draw, sculpt, mold, and sometimes, if we’re lucky, how to use Popsicle sticks to make miniature buildings. Whatever we learn in art school, we are fundamentally being taught what art is. Yet if you were asked to answer that question – “What is art?” – would you be able to?

I think the better question is should you be able to. I think the answer is yes, but not in the way that our teachers taught us. When I think back on art projects I did in school there are certain lessons that have always stuck with me. Coloring inside the lines is applauded. Following the rules was always a sure-fire way to get a good grade. Perfecting the “art” of shading while doing a still-life drawing always got the teacher’s attention. While all of these things are good to know how to do in the art world, is any of it art?

They are the building blocks that we use to create art, but the rules are not art. I have never been in an art class, in fact, where someone has allowed me to create art. Instead, we learn the rules that go in to creating traditional pieces, but very little about how to create something original. I think the problem lies in the #1 rule we are taught: color inside the lines. Why, I have to wonder, does every teacher seem to hammer that point home? Aside from practicing motor skills as a child, it teaches children at a very young age what is “right” and what is “wrong” in the art world. I fully believe it is one of the reasons why people grow up to be closed-minded about art. We are taught what art is, instead of being allowed to explore what art could be.

Imagine the creativity that would flow from children if coloring books did not exist. The book does all the work for the child: it has the subject and the outlines of where to color, and in some cases even specifies what colors to use where. The art of it is lost; it is a mindless activity of moving your hand back and forth. It becomes, quite literally, practicing your motor skills. To further this teaching method, we are taught in schools to follow rules for homework assignments, going so far as to systematically complete art assignments for a grade. I see the benefit in all of this; there has to be structure in order to manage so many children. But in doing so, has the art been lost?

At some point along my artistic journey I had to redefine what art is to me. Until I started photography I was very much trapped in the confines of school and the ideas of what I was told art is. I had ideas but never executed them. I only created what was needed for school. I was locked into the idea that anything too weird or “out there” would be excluded from popular art conversations. And then one day I had a realization: Who cares?

Who cares if my ideas, thoughts, creations…my art…is not accepted by anyone? The models I was always shown in school were famous paintings, like “Starry Night”, and things like it. They were popular. They were examples of traditional art. Yet what I was never told was that the people who created that art were groundbreaking at the time. Now it remains an example of what art should be, but at the time it represented what art could be.

With that realization in mind, I have been creating ever since. I never once, after picking up my camera, stopped to question what I was doing. I never question my imagination, I simply let it rule my life. I never bother myself with the question of what art is or what it should be, or who will like it or even buy it. I create what I love, what comes naturally to me, what I find most fascinating. I create art, plain and simple, and anyone else creating from their heart is doing the same. I want to look forward to a new art movement, something that is yet undefined yet may someday define a generation. I want to be a part of that, and so I only ask the question of what art could be.