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Brooke Shaden + creativeLIVE = Happiest Time Ever!

Oh honestly now, how am I supposed to start writing about an experience as massive, life-changing, and jaw-dropping as creativeLIVE? I am truly stumped, as I have been for days, hence my putting off writing these words. I thought something brilliant would come to me, but since it hasn’t I decided to write from the heart and share my experience, even as it still sits jumbled in my mind.

I said it while live but I’ll say it again: A year ago I wasn’t on the creativeLIVE train. I didn’t see the benefit in it and rejected the notion of being on the show. Granted, no one asked me to be on the show, so these were all internal thoughts. Nonetheless, it took a swift kick in the butt from others telling me to be more selfless and to help those who don’t have access to education to make me jump on board. And when I jump on board, I jump full-force. I was excited and enthusiastic about creativeLIVE ever since.

Now that I have actually been there teaching, I can say, honestly and truly, that they are now an extended family for me; they are people that I love and adore, and who are completely unpretentious with their mission and goals in the studio. They want to help others, and I want to be just like them.

There was a lot of planning that went into the show. I planned for many months beforehand, and every single day in some capacity in the month leading up to the event. I wanted to take a different approach to teaching than I normally doing during a workshop, and that was to make my process relatable to a more commercial market. I wanted to show how fine art sensibilities can be applied to any photography business.

I shot a senior portrait session, a wedding session, an environmental portrait as well as an elaborate setup. Images from those segments, save the elaborate setup, are contained here. And since you either saw me shooting live, or have the option to, I have included before/after images here to give a refresher as to what they looked like in my camera.

From being gifted a 1-foot tall metal ferris wheel on my first day (a reminder of the sets we built, and an extension of how they crew envisioned me) to the in-studio audience who I adore like family, to the crew who made me feel like part of the team even though I was a stranger…it was all a dream. I went shooting until well into dark with anyone who wanted to play each night, and I laughed and cried with so many people I can’t count. They even brought in a massage therapist…like…what?! I felt like a princess! It was unreal.

Creating a live show is something that I have tons of respect for. I felt secure in their hands, whereas when I teach workshops typically (95% of the time) I am the only one putting on the show (planning, organizing, teaching, etc…). I tend to worry (or freak out) about things like organization and making sure I produce the day correctly. At creativeLIVE, there was none of that fear. It all melted away because I had the most amazing producers helping me, a fantastic sound team, set design team, and tech crew. They all had my back. They made me feel okay about it all. I had just about zero nervousness, because all I had to do was get in front of the camera and be myself, which I vowed to do for better or worse.

Normally when I arrive home from a trip I am glad to be back, but this time feels different. I am beyond excited to be with my husband, who couldn’t come with me on this trip, but I definitely left a part of my heart in Seattle. I can’t wait to get back there to pick it up. Until then, take care of it for me, my new family at creativeLIVE, as well as you rascals, my amazing in-studio audience…and of course, to those who watched, it means MOUNTAINS to me. It means the world. The love I received, which I am doing my best to respond to, has been overwhelming. The sobbing kind. The kind that makes me step back and wonder how this came to be my life, in the best way possible. I owe everything to you.

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MORPHO & Twilight Galleries

Hi All!

Just a quick post to share more information about my two exhibitions that I have going on right now, and shortly! First, MORPHO gallery (an extension of Morren Galleries) is showing my work as a solo exhibition from May 26-July 21. They are showing a lot of new works, all very large, so the show should be something quite different for me. I’ve never had a show of such large works completely filling a space, so I’m super excited. I just wish I could see it. Take pics for me!

Here is the event page on Facebook!

Also, I am currently having a solo show at Twilight Gallery in West Seattle, Washington…but that isn’t the news! We, as in myself, Christine the owner, and creativeLIVE are holding a contest to choose Twilight’s next featured artist. The winner will have a print created at no cost, hung in the gallery for the month of August, and get all of the exposure that comes with it. This is a fantastic opportunity to get your foot in the door with a reputable gallery, and a free print never hurt anyone!

To read all of the rules/submit, head on over to the Twilight website!

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What Is “Originality”, Anyway?

We see words like “unique”, “original”, and “one-of-a-kind” thrown around a lot. It is what artists strive to be. It is how we as artists are judged. It is what determines if an artist is prolific or not. Because there is such emphasis on originality, I thought it best to define originality, and talk a bit about what it truly means to be original. I am in agreement with those who judge artists based on originality, or at least in the grand scheme of things. At the same time I do not care to judge other artists on their work, for the simple reason that art is personal and should be viewed as such.

Being original is all about following your passion with little guidance from outside sources. If an artist sees someone else create a concept that they love, and then that artist turns around and creates the same concept, we could probably agree the idea isn’t original. Does that mean that the artist lacks originality? Not at all. I am a firm believer that everyone will create in different ways if given the opportunity. Even if we were to all photograph a girl with a chair, that picture would look different depending on who the artist is and what they choose to do with it. Inspiration is a powerful thing.

There are endless ways of finding inspiration. There is no one way that is better than another. There is only personal preference and philosophy, and I am very glad to feel secure in my beliefs. This relates directly to originality, because in this day and age it is natural, almost second-nature, to peruse the internet for the latest inspiring artists. This can be good, if you are looking for that initial spark of inspiration, but it can be very bad if you are searching after you already have an idea.

Case in point: someone recently wrote to me describing how she had an idea, put everything together, and then came across a very similar image on the internet. That prompted her to look further on the internet, searching for similar ideas, in which her search did yield many similar images.

This issue with this way of thinking, or rather, seeing, is that our minds will see similarities between things even when it shouldn’t. When that person found the first image that looked similar, she shouldn’t have gone on searching. The search results only further deterred her from creating the image of her dreams. In fact, the first image shouldn’t have stopped her at all.

Instead of focusing on the negative, we need to focus on the positive. Originality is NOT doing something that has never been done before; it is doing something that YOU have never done before, in your own way. They say that everything has been done, all concepts thought of, all locations photographed, but how, then, can new and inspiring artists crop up every day? Even if an idea has been created before, it has not been done in the way that you would do it.

I know how discouraging it can be to see another artist use an idea you thought of before you got to create it. I used to get very upset about it, wondering how in the world this can happen. Now I take it as a challenge. I put my whole heart into the concept, see how I can make it different while staying true to myself, and ask myself why I was drawn to the idea in the first place. There is usually a personal connection. It is also important to remember that just because another artist used an idea that you loved, that doesn’t actually mean that anyone has any claim over it. Ideas are used and reused, and it is all about how the idea came to be, and how an artist can make it unique.

I have been accused of plagiarism before. Others have been accused of plagiarizing my work. I give little thought to this. You as an artist know when an idea is original and when it is not. Think of it this way: If your idea is original, you will have the peace of mind in knowing that you created from within. Your work will stand the test of time if you are inspired from the inside, and it will be exposed over time if it is not. We give so much of our time to others, wondering what they will think or how a certain new piece of work will be accepted, when acceptance is not important, nor are the opinions of others.

Originality is creating from the heart. It is paying little attention to the trends, opinions, or thoughts of the time. It is understanding the impossibility of everything having been done before, and moving forward with your own ideas, knowing that they have not been done in your way. You are the only you there is and ever will be. Take advantage of that. Do not let your originality go to waste.

 

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I AM A PHOTOGRAPHER

As I began taking pictures, my dream was to be a photographer. I thought that I had to quit my full-time job to be a photographer. I thought that I had to sell prints for a certain amount of money to be a photographer. I thought that I have to have a certain amount of fans on Facebook to be a photographer. I thought that so many outside elements defined what “photographer” meant that I didn’t take the time to realize the most important thing: I already was a photographer.

I hear people qualifying “photographer” in so many different ways. I have spoken to people at exhibitions of mine who call themselves “aspiring” photographers, who say that they will never become a “real” photographer unless they sell their prints for the same amount that I sell mine. And trust me, I have felt the same walking into other galleries. To this, I have a few words. That is another artist’s truth, not yours. How much they sell their prints for is based on experience and personal opinion. It does not make anyone else less of a photographer, or anyone else more of a photographer.

There are always people who will know more than you, make more money, and seem like the best of the best. What we don’t often realize is that it goes both ways. There are also people who might not be doing as well as you, who make less money than you. We are all on different paths. We are all trying to build a future for ourselves. My truth is not your truth, and yours is not mine. We need to stop seeing ourselves in the context of others; we need to see our own unique path without forcing it to intersect with another.

To the “aspiring” photographers, who perhaps have not sold a print, or booked any sessions, or feel that their numbers on Facebook aren’t good enough. Stop calling yourself an “aspiring” photographer. You are as much of a photographer as anyone else. The amount of money you make does not determine what is in your heart. To those “professional” photographers, who have sold prints or booked sessions, or have a lot of Facebook fans. The word “professional” is nothing but a label. It does not determine how great of a photographer you are. We are all equal.

We all start somewhere. If you try to take someone else’s journey, you will only achieve someone else’s dream. Do not compare yourself to anyone else. If you want to be a photographer, and you take pictures, call yourself a photographer. The sooner you drop the “aspiring” part, the sooner others will take you seriously as a professional.

Sometimes we need to all practice together: “I am a photographer.”

 

 

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Textures of Hearst Castle…Free Download!

Alo! I thought it was well past time to create a new texture pack. I spent part of a day at the Hearst Castle in California, touring the grounds and part of the mansion, and I was in awe of the beautiful texture everything had. About halfway through my tour I realized that I should be snatching those textures up to take advantage of later, so I started documenting the beauty that I saw. I was photographing chairs, floors, walls, bells, you name it! Everyone else was taking pictures of the grand rooms while I was hunched in a corner photographing a baseboard…but such is life!

All you have to do is click the image above or the link below and you will receive 10 different textures downloaded to your computer. If you do use the textures, I’d love for you to link to the textures if you remember (no biggie though) just so that others can use them as well. You can also use the hashtag #shadentextures to spread the word.

Thanks for downloading, I hope you enjoy them! And if you’d like to download my other texture pack, Textures of India (totally free!), you can do so through this link :)

Download the “Textures of Hearst Castle” texture pack here!

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After Dark Education + Workshops!

Every time I sit down to write about a teaching experience, I am struck dumb with silence when my fingers should be moving hysterically over the keyboard. I have so much to say. I have so many emphatic words to write with exclamation points and smiley faces. Yet somehow, it doesn’t seem like enough. Sometimes experiences touch you in ways that are unexpected. And sometimes, even when you expect it, it is still more than can be internalized. I am trying to expand my ability to take in all of the emotions I feel at times like this.

Taken during my demo for Environmental Portraiture at After Dark.

Taken during my demo for Environmental Portraiture at After Dark.

I try to write a blog post about every workshop I teach, but sometimes I fail at that, so this is one big blog post to say thank you to everyone who has come to my workshops. You are some of the most valuable people in my life, for encouraging me and believing in me enough to put your education in my hands, even if only for a short time. More specifically, this blog post is about a great love of mine, After Dark Education: a photography conference lasting 3 days, promoting 50 different mentors and an amazing group of over 450 people there to learn.

I don’t usually like to admit this, but I bit off more than I could chew at this year’s AD experience. I taught 12 classes over the course of 3 days, and none of them were repeats. 5 of them were classes I had never taught before. This made my workload incredibly daunting. I was asked continually why I decided to teach so many classes, and the answer is simple: I got excited.

I got really, really excited when I was asked to come back to AD to teach, so I signed up for as many classes as I could muster. I had to cancel one of them because I lost my voice and am fairly certain I would have passed out, but other than that, I made it through to the other side. Some of the classes I taught were:

Levitation Shooting & Editing
Self-Portrait Photography
Environmental Portraits
Charity within Photography
Fear in Photography
Off-Camera Flash (say whaaaat?!)
Inspiration
Fine Art Nude

…and more. It was crazy! And fun! And amazing! See, this is where I fail to adequately describe the experience.

Taken during my demo for Fine Art Nudes at After Dark. Model: Jane Love

I just wanted to put these few words into a blog post to say thank you, so sincerely, to everyone who made the experience amazing. To Dave, who runs AD, for inviting me back, inspiring me, and challenging me. To the whole crew who keeps it running. To the models, the hair/makeup team, and the assistants. To my mom, who came along to do  hair and kept me company (and got me copious amounts of water when my voice left my throat)…

And finally, to everyone who attended. Thank you endlessly for inspiring me to be a better educator, better photographer, and better person all around. I hope that you enjoyed the classes I taught, and I hope that we can do it again soon.

BTS taken during my Self-Portrait class…some of the attendees trying my costumes on!

BTS taken during my Environmental Portraiture class…about 1/5 of the attendees trying to photograph the model from above!

One of the group photos from my NYC workshop right before hopping a plane to teach at After Dark! Next NYC workshop is June 8 (www.framed.com/theconcept)

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The Impossibility of Failure

When I was 16 I met my husband, and it was shortly after we met that we told our parents we were going to get married. People threw out the words “impossible” and “failure”, regarding any potential marriage, but we felt the opposite. We felt so certain that we would always be together that the idea of failure was impossible in itself. It was a silly notion to us, thinking that something we believed in would not come true. I have always had a hard time understanding that mindset, the one that stipulates that most dreams do not come true, or that most dreamers are wasting time. I know that once someone “grows up” they usually adopt a different mindset, one that is geared towards practicality and real-life living. It seems that while I have grown older, I have not “grown up”.

My husband and I have been together for 10 years and married for almost 5.

I apply this mindset to my photography. When I began creating photographs for a living I could feel the skepticism all around me. People wondered, some asking me directly and others not, how I would make money, how I would support myself, and why I felt so certain it would work out. I approach photography with that same innocent, some might say naive, mindset that failure is an impossibility. When I began photography my goal was not to make heaps of money, it was to enjoy my craft, hone it, and make sure that it always remained special to me. I measure success as happiness, and I measure happiness in how passionate I am for life. Photography fills my passion for life in many ways, and so I know I have found success in photography.

So many people seem to see the possibility in so many things, like failure and improbability. People believe in failure like it is engrained in us, as though most people are going to fail so we should simply believe it will happen. I see it as a buffer. It is almost like mentally prepping oneself for failure in case it happens. I liken it to people who make fun of themselves before someone else does. It makes the humiliation easier to take, but it is still humiliating.

The meaning of failure changes based on how each individual defines failure. The only time I can see something as a failure is when I know I did not try hard enough to achieve something; and even then, there are second, third, and forth chances (and so on) that prevent failure from ever fully blossoming. “Failure” is a stepping stone to success and nothing more. It does not define us, but instead it lifts us up, taking us closer to the dream we are chasing.

I am optimistic, not naive. I know that not everyone will make a ton of money off of their photography, or whatever their passion might be. I know that some people will quit before they get ahead, and some people will quit because they are ahead. I know that my life might not always look the way it does now, but I do know that it will always look the way I craft it to be. Just yesterday my friend was saying that with so many people trying so hard out there, some are bound to fail. Just because everyone has an opportunity to succeed does not mean that they are going to succeed. I understand.

Not everyone will make a million dollars from their photography. Some will make no money at all. Some will find success in big ways and some in small. Others will be blind to the success that they do have while others cherish every moment of it. The fact is this: we all define success in a different way. We widely learn to see the world as black and white, but the gray middle area is where a lot of the success swims. Your standard of success might be to make a million dollars, but someone else’s standard might  be to make one dollar. One person might want to photograph five families a week while another person is happy with one a month. Our goals are not the same, and our successes are varied.

I have had my photography business for three years. I truly believe that my greatest asset in starting and sustaining a business has been my definition of success and my belief in the impossibility of failure. The notion of failure seemed silly to me at the time. Yes, I needed to make money. However, if I had never made a dime in that first year of business, I still would have considered it a success. The fact is that I learned things I never imagined, I grew as an artist, and I felt happiness every single day knowing that I had the courage to begin that journey in the first place.

You might be thinking that it is easy for me to say this, since I am still in business after three years, but the truth is this: That first year was hard. I barely made a dime. I thought I was going to have to go back to a full time job to support myself. But even then, I did not view my career as a failure. It was the greatest learning experience of my life. Each “failure” was merely a stepping stone lifting me up to my dream. I really believe that if I had a different mindset, if I believed that failure was an option, I might have discouraged myself and gone back to a 9-5 job. Instead I tried to find motivation each time I got knocked down and was more determined than ever to find success.

Every single day that I can wake up and create something is the happiest of my life, and I consider that a success.

Creating a Mermaid, and Teaching It, Too!

I love mermaids. I love tension. I love anything abandoned. I love flowing gowns. I love water.

Needless to say, I was very excited about this picture.

Last August was when I first thought about creating this picture. I had the general idea of wanting to photograph a mermaid in a fish tank in an abandoned place. It wasn’t until December that I found my NYC workshop location and found this abandoned pool inside. That was when I knew it was meant to be. The irony was so strong, and so profound to me. I commissioned designer Michelle Hebert to create a dress that looked vaguely like a mermaid. I told her I wanted muted rainbow colors, a tattered dress, and at least a 5 foot long train so that I could shape it into a mermaid tail. She worked her magic.

“Life Behind Glass”, Photographer Brooke Shaden, Model Brittney Panda, Assistant Lila Purdy

I only had one day at the location with my workshoppers, so I decided to shoot this picture as a demo, one of three that I created while I was teaching. This is unusual for me, as I usually like to keep my personal projects out of workshops. I like to focus on teaching and not on, perhaps selfishly, getting my own shot. But this time was different…There was no way I could rent the space again for myself, as the rate was very high, so I went for it.

It is an interesting thing, to essentially teach 15 other photographers how to half-drown a model in a fish tank in an abandoned pool…but we all had a blast with it! The model was a trooper.

We had to get the heavy fish tank up a flight of stairs, then down into the pool. It was a difficult process. Then came filling it with water, which we had to do from the 3rd floor because there wasn’t running water everywhere. Emptying it was even more painful, since the drain in the pool wasn’t working and we had to scoop water out and take it back up to the 3rd floor. Daunting. I am incredibly thankful that my friend Lila Purdy was there assisting. She had the hardest job of removing the water…I felt very bad for her!

Needless to say, everyone came together to create this image. The model Brittney was amazing…poor girl had water up her nose! But we all wanted it to work, and it did in the end.

The workshop was so much fun. I really bonded with everyone. There were even a ton of Doctor Who lovers there! It was a 2-day workshop, and after the first day, most of us extended the workshop and went to an abandoned greenhouse/factory to explore. It was amazing and incredible! I did some modeling, my sister-in-law did as well, and we all had such a fun time :)

Photographer: Brooke Shaden (http://brookeshaden.com/gallery/)
Assistant: Lila Purdy (http://lilapurdy.com)
Designer: Michelle Hebert (http://michellehebert.com)
Model: Brittney Panda (http://brittneypanda.com/)

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6 Steps to Staying Motivated

A couple of weeks ago someone wrote to me explaining a problem that not only she has, but most likely everyone has had: STAYING MOTIVATED!

She explained that she is in college studying art and photography, and she thought that she would feel more motivated than ever to create. Instead, the opposite seems to be happening, and she wanted to know how to combat this. I think the first step is to figure out why the problem is being caused at all. So, this brings me to 6 steps that I personally follow to stay motivated.

Motivating Tip #1

Figure out the problem!

If you don’t know why you are unmotivated in the first place, it won’t be so easy to get back on track. It could be that there is a bigger issue than motivation at hand, and that should be checked out. I am a firm believer in looking at all aspects of your life from a third person perspective. Pretend you are a character in a movie and you are watching yourself on the big screen. What do you see? Going beyond what you do on a day-to-day basis, what is on your mind, what do you want to spend your time doing, and why can’t you focus on your work?

The biggest factor that causes me to feel unmotivated is the fear of letting someone else down. I get so scared sometimes that the work I produce won’t be good enough for the client (whether it is original artwork, sending a file, or talking business…it doesn’t matter!) that I won’t do the work at all! Most of us feel unmotivated when we aren’t sure how to approach something. This ties right in to not wanting to disappoint. Think of it this way: if you know exactly how to get something done, it is much easier to do it. You know how to approach the project and time flies when you are on a roll. When you are stuck, can’t figure out how to proceed, or even how to get started, that is when trouble strikes. My issues of not wanting to disappoint often collide with not knowing how to get started. If I can’t figure out a solution to a problem, I am less likely to please the client.

What I have learned is this: just doing it is the best way to get something done.

Okay, don’t leave me now, I know that was an incredibly simple statement. The truth is this: when I am lacking motivation, feeling fear, or just don’t know what to do first, I reset my brain. I take a step back from the situation and realize that the world is not going to end if I don’t do something right on the first try. If the client isn’t pleased, I will give it another go. If an edit doesn’t work out, I try again. People are very willing to be very nice if you try your very best…and that almost always shows.

Motivating Tip #2

Doing work that you don’t want to do!

Everyone runs into this problem, whether you are doing the job that you love, or if you are working at a job that you hate. We all get work that we just plain don’t wan to to do. There are certain jobs that I can think of that require my attention but I wish didn’t, like sorting my expenses and resizing image files. These are the jobs that I tend to put off until they have built up to an unmanageable size. And this is exactly the problem: they become unmanageable. Somehow we get it into our minds that if we let that work pile up, it will be easier to tackle in one fell swoop. This might be true for some people, but often this results in more stress…and less motivation!

I used to handle a certain problem in just this way until recently. My issue was e-mail, and feeling overwhelmed by the task of answering e-mails as they came in. Instead, I would let them pile up for weeks at a time, and then try to answer them all at once. This worked for a little while, until I realized a couple of things. I was missing e-mails because I had waited so long to respond, and the stress of not replying for so long gave me guilt.

I thought that I would maximize my time spent doing other things if I wasn’t glued to my e-mail, when in fact the opposite happened. I found that my guilt levels were up for feeling bad about not sending responses sooner, and that I got less done overall because I wasn’t balancing the “fun” work with the “business” work. My solution was to answer e-mails as they came in, or at least attempt to, so that I wouldn’t be thinking about e-mail when I wasn’t e-mailing. I still fail on this from time to time, but I spend a lot less time worrying about it now that I know I am doing my best to answer e-mails quickly.

I definitely wouldn’t call myself a procrastinator in general. If you know me, you know that I am quick to get on a project and try to make it happen…but that only goes as far as the things that I love to do. When it comes to other jobs, I am not very quick to jump on them. What I have realized, time and time again, is that balancing jobs that you don’t want to do with the fun jobs makes everything more rewarding.

When you constantly work on things you love, it can be amazing and fun, but over time you tend to lose a certain appreciation for the fun you are having. It becomes routine. Now I’m not saying do things that you hate to make you more appreciative, but the sentiment is still true. “Absence makes the heart grow fonder”…or in this case, putting aside the tasks that you love doing will make them even more exciting when you get to tackle them…

…And you don’t have to feel guilty about not doing the “grunt” work.

Also, random fun fact – just as I am typing this, my husband tells me that he needs to move the pile of laundry that was growing out of neglect to the closet because he just can’t ignore it any longer. I thought it was quite a serendipitous moment.

Motivating Tip #3

Feeling the pressure!

So, you’re going to art school because you love art, but suddenly you aren’t motivated to create anymore. You are doing the job that you love because you love doing it, but suddenly it feels like a chore. This happens to me from time to time, and the reason is always the same: I’m feeling the pressure! When you turn what you love into something that you must do, you change how you look at, and interact with, that hobby. Photography used to be something I did in my spare time because I loved it. Soon after, it became something that I loved doing, but also had to do because I was making my income off of it. The tables have turned.

The best way I have found to fight off this way of thinking is to give myself one gentle (or not so gentle) reminder that I could be doing a lot worse. I could have a job that I hate, or I could be going to school for a subject I don’t love. People will always expect something from you, so you might as well have that be related to your passion in life. But a big warning: Don’t let that fight away the passion you had in the first place. Even if your job is what you love, don’t let what you love turn into a job.

Remember why you love photography. Even if you have to do something for someone else, that doesn’t mean that you can’t put your passion into it. If the school assignment is to create a picture using 3-point lighting and a studio backdrop, then drop in an awesome prop and make it something special. If you have to edit 10 headshots for a client, why not throw in one art setup as an extra just to spice things up and satisfy your creative soul? There is always a way to make a task fun, even if you are doing it for someone else. So, are you feeling the pressure? It’s natural. But also know that you can lessen that pressure by changing what you’re doing into something that you love.

Motivating Tip #4

Cookies, Cookies, Cookies!

I use a reward system quite often when I am getting things done that I don’t want to be doing. It might sound like a bad idea, because this is how bad habits form after all, but I think that it can be a great way to motivate and inspire. I do this in different ways, some very insignificant and some that have changed the way that I work. Sometimes I will pick out a cookie at the grocery store, or save a favorite TV show, just for the purpose of eating or watching when I have finished a task. The most common bargain I make with myself is: If you answer 50 emails this morning, you can have a cookie; or, you can watch the TV show.

This takes self-control, which is the sticky part. If you just up and eat the cookie then there is no more reward, and less incentive to finish the work. This is why getting others involved in your rewards can be great. I might a friend if she can come have dinner with me, but tell her that I can only go if I finish my work. This way the incentive is not just a nice dinner, but also that I don’t want to let my friend down. Another great way that I do this benefits everyone in my house: I won’t go out on a photo shoot unless my apartment is clean. If it isn’t, I don’t go out. Simple as that. Luckily I have my husband holding me to that one! (I am very, very messy…it’s a problem!).

Motivating Tip #5

Make a list, check it twice!

I don’t mean to just make any old list. I am not talking about a to-do list, though that is a great idea. I’m talking the ultimate list.

Think about why you love photography, or whatever else it might be that you do. Think about how your world is impacted by your passion, or how you want it to be. Write down a list of all the reasons why you love doing what you do. Mine would look something like this:

I love photography because…

I get to create the worlds that live in my imagination
I get to create beauty through darkness
I can express my own personal life views with my camera
I love editing in Photoshop!
I like being in nature, and photography allows me to do that everyday

The moral of the story is this: You should always incorporate the reasons why you love what you do into your everyday life. If you are creating a new project for school, make sure you are focusing on something from your list to ensure that you are not losing your passion. If you owe a client images, and it involves tons of batch editing, try editing a few in Photoshop and being totally creative, that way your creativity doesn’t go down the drain the more times you press the automate button.

You can take this even further. If you feel like your photography is suffering, like it just doesn’t feel how it used to, try writing a list of what you love within your own photography. It might be the lighting, lenses, editing style, dark backgrounds, forest setting, shooting texture, etc…Whatever it is, reference that and try to put those elements into your photography more regularly. Personal work can be shared. You can do what you love and love what you do.

Motivating Tip #6

What isn’t important to you might be important to somebody else!

This motivating tip is one that I use not only in photography but in all facets of life. Just because you don’t think something is important doesn’t mean that it isn’t important! Take other people’s feelings into consideration. You might be hugely unmotivated to finish work for a client because it isn’t something that you want to be doing. Maybe the pictures didn’t turn out how you like, or you’re bored with editing, or you just don’t know how to move forward. It is easy to feel unmotivated in this situation because you have mentally checked out. The images are no longer important to you because they aren’t satisfying a basic need that you have to express yourself.

Take a moment, in that situation, to see things from the other perspective. You owe a client images and that client is very excited about their pictures. It might not be your cup of tea, but you are aiming to please someone else. The same goes for an art class. The assignment might not be what you would choose to shoot, but that doesn’t mean it is a horrible assignment. It might be that the assignment is important to a teacher, or that another student thinks it is the best thing in the world. Instead of writing off whatever it is you are doing, take a different approach. Try to see how the images you are working on could be amazing to someone else. Just because they aren’t important to you doesn’t mean they aren’t important to somebody else.

Take yourself out of the equation and give back to somebody.

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What’s in a Number?

I remember when I started uploading my pictures to Flickr. It was my first real experience with social networking, and the buzz on the streets sounded something like…”So, how many views do you have”? I used to get Flickrmail asking that question, comments, and when I met people in “real life” too, it was the same. And it wasn’t just me. It was most everyone I encountered on Flickr. Everyone wanted to know the skinny on the stats, and I wasn’t eager to share. I liked that Flickr hid those numbers, making it personal for the artist uploading content.

My next foray into social networking was largely with Facebook, and I haven’t branched out much from there. I like those two sites because they help me focus my content instead of being very spread out. I remember when I started my Facebook account. In fact, I didn’t even do it. My friend did it for me. That whole first day I complained that it would be silly to create a Facebook page for the simple reason that I may not get any “likes”. In fact, when I started my business page, it was called a “Fan Page” and people could actually become your “fan” on Facebook. This made the matter worse.

I was so uncomfortable with the word “fan” that I nearly didn’t start a page altogether. It felt so boastful to me, and that was a feeling that I wanted to stay far away from. I was very glad when they switched over to “liking” a page, since that felt much less competitive. So, my friend started the page for me, and as she did, I realized how silly I was being about the whole thing. I was actually worried that people wouldn’t “like” my page, as if that was something worth being upset over. I must have been so into myself that the fear of not looking good publicly would stop me from sharing my content. I decided to throw that way of thinking away immediately. And I mean IMMEDIATELY.

I started realizing as I spent more time on Facebook that a) the number of likes you have doesn’t necessarily mean that you are more successful, and b) the point of having a Facebook page was to connect with people, not sell myself. These were really important realizations for me. As I became more comfortable with how I wanted to spend my time on my social networks, I became less worried about how many people liked my page, or how many contacts I had on Flickr. It simply did not matter.

I am extremely grateful that I’ve come to a place now where the number doesn’t mean too much. I am just as grateful for one person following what I do as I am for 50,000. I think about each individual who has taken time to look at what I do, and I feel such a sense of interconnectedness because of it. That feeling was certainly worth creating the page in the first place.

While I say that Facebook isn’t for selling myself, of course I am being lenient here. As an artist making a living from her craft, there is always a level of salesmanship that goes into social networking. I try to approach it from a place of love and a giving mindset, so it rarely feelings like selling. When I announce an exhibition, it isn’t because I think that my Facebook followers will flock to purchase prints; it is because I want to connect with people. When I announce a workshop, I hope that I can share as much of myself with the people attending as is humanly possible. Yes, there is money to be made. But I can guarantee that if that was all there was to gain, I wouldn’t be in this profession at all.

I don’t look naively at statistics; I understand how being aware of your internet presence can help one’s position as a professional photographer. But there is a fine line between social networking to make money, and social networking to make connections. If your primary motivation is to generate sales, you are likely going to suppress a very human side to your business that puts a face with your brand. If your primary goal is to connect with others, you are very likely to grow your business organically. I liken this situation to someone selling a product on a street. If the seller stands around and simply yells out what he or she is selling, it is likely that the target audience will walk right past. Alternately, if the seller naturally engages with people on the street, the topic of what is being sold will be brought up naturally and will sell to those people who are passionate about buying.

Sometimes I get sick thinking about photography as a business. It can be messy and difficult and, if I am being candid, downright upsetting when I have to sell something on the internet. Workshops here, or print sales there…I wish I could do without it. But the fact is that as much as I need to make money from those ventures, I need to also make connections, because that is how I personally thrive as a photographer. If I can help someone grow or be inspired, I grow and am inspired also. As much as the business side of photography can make me feel uneasy, I am also excited by it, because it means that I can share what I do with an audience, and I enjoy sharing my point of view with those who want to listen.

I was spurred on to write about this topic because of reaching 50,000 followers on Facebook. I remember once, when I was thanking my followers for being so loving and kind, and for helping me to reach 10,000 followers, one person commented and said “It won’t be long until it’s 50,000″. I thought that was silly. I remember laughing about it, as though that number was so off in the distance. And while I don’t want to glorify a number, or celebrate that people follow what I do, I do want to share how grateful I am for it…not for the number, but for the human connections that arise from it. Thank you for following what I do…whether you comment everyday or have never commented at all. Whether you’ve bought a print or a space at a workshop or are simply intrigued by what you see. My gratitude is the same, and it is is overwhelming.

 

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